GET OUTTA MY WAY!

DOING THE SOCIALLY DISTANT DANCE.

It’s a beautiful day in the neighborhood and I’m heading out for my daily dose of fresh air and un-sequestered stretch of time. As I swivel, swerve and dodge my fellow Chicagoans I am drawn into the choreography asserting itself on all of us. But it appears that nobody seems to remember their blocking. And forget about the spacing. As I gracefully launch myself into the bushes in order to avoid another oblivious sprinter it’s clear that technique, timing, transitions and tempo are WAAAAYYY out of step.  

We’ve all got somewhere to get to, but let’s get real…mostly we’re just out and about and then aiming to get back in time to to click into our Zoom-happy-hour-get-ish-together. But one would think that most of us would be able to follow the rules of spatial imagery; where we have the ability to comprehend the space around us. ONE WOULD THINK. Isn’t that how we avoid walking into walls? Unfortunately, there’s a whole lot of tap dancing around harmonious collaboration in this daily street battle of ours.  

When you are JOGGING in my direction – what is your subtext really? Approaching me head on, full speed might make you feel powerful…but it actually makes you look like a total douche. It causes me to abruptly improvise by accomplishing a quick pivot and side step…that puts me in a very weak position…and unable to smoothly continue the dance. A horizontal move away from me at the last moment could mean you were lost in thought and had to make a quick adjustment. (or maybe you were trying to intimidate mewhich also makes you look like a total douche). Remember, if we are not in synch…your droplets might find their way to ME! And it’s all about ME!

However, creating an arc around me means you are a thoughtful and sensitive racer…which makes you a lovely human. In that case it’s clear our interaction is knee deep in spatial awareness – becoming a dance of fluidity and commitment.

Now let’s discuss the structure of the duet…or as it seems to be more prominently displayed these days …that ill-conceived couple ‘S P R E A D I N G’. The delicate balance of the we-must-be-side-by-side-at-all-times, while walking in my direction, must also include demonstrated flexibility. Timing is of utmost importance in order to create a seamless transition. While in this loving partnership there should be a lively back-step and then a shimmy on-in-behind, along with a subtle quick-step in order to match the gait of your leading partner. Voila! Now how hard was that? This is, after all, beginner stuff and how our spacing becomes a lovely glissade as we hoof-it past one another in perfect timing.

The cooperative patterns created in the out-of-doors, and the considerate position of bodies relative to one another, will surely serve to enhance the composition of our well executed and flawless dance. So let’s not pussyfoot around this issue. Make those adjustments while exploring the space- but control the shape of the movement. Be a civilized collaborator so I won’t need to grumble and complain to my husband…cause he is about over me.  

No floundering as we draw closer…hit your mark…and JUST DO THE DAMN CHOREOGRAPHY.

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Liz Goodstone
Liz Goodstone

Karen this is so great! You and Julie inspired my dancing. I love your post about the girls. I remember teaching your daughter in 2nd grade! Love to you all.

Julie Kaplan
Julie Kaplan

I’m missing OUR damn duet Miss Karen!!!!!!!!! You always put a smile on my face and lightness in my step 🙂 xoxoxoxo

Sharon Zoldan
Sharon Zoldan

Yeah Karen!!! Tell ‘em. I think the city is more crowded than the burbs, but you are absolutely right. Some people have no rhythm. And act like they are the only ones on the sidewalk/road/trail. Sheesh 🙄 😷🥴

Lu Bennett
Lu Bennett

How timely after our hilarious chat. But you kept your response to your JOGGER here “clean and neat” unlike me.

Ronna Kaye Kaplan
Ronna Kaye Kaplan

So clever Karen. Speaking about choreography, I’ve been looking through hundreds and hundreds of photos which you are in a lot of them. I forgot how many shows we did together. Now…what do I do with all of them??

Lu Bennett
Lu Bennett

Said Karen who told me to keep letters and cards that I was trying to throw away! Mwah.

Laurie Toth
Laurie Toth

Think of donating them to the Newberry Library. They have a fabulous dance research collection. Please label as many as possible in pencil with names , places and dates! It will be helpful when future researchers are looking at the photos.

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